Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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TISCHBEIN, Johann Heinrich Wilhelm
Goethe in the Roman Campagna

ID: 40617

TISCHBEIN, Johann Heinrich Wilhelm Goethe in the Roman Campagna
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TISCHBEIN, Johann Heinrich Wilhelm Goethe in the Roman Campagna


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TISCHBEIN, Johann Heinrich Wilhelm

German Painter, 1751-1829  Related Paintings of TISCHBEIN, Johann Heinrich Wilhelm :. | Goethe in the Roman Campagna | Portrait Goethes in der Campagna | Portrat einer Frau, Oval | Goethe in The Roman Campagna iuh | Portrat der Grafin Saltykowa und ihrer Familie |
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(November 3, 1846 - April 15, 1912) was an American painter, sculptor, and writer who died in the sinking of the RMS Titanic on April 15, 1912. Francis Davis Millet was born in Mattapoisett, Massachusetts. At age sixteen, Millet entered the Massachusetts regiment, first as a drummer boy and then a surgical assistant in the American Civil War. He repeatedly pointed to his experience working for his father as giving him an appreciation for the vivid blood red that he repeatedly used in his early paintings.
Peter Fendi
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William Maw Egley
English painter , (1826-1916) was a British artist of the Victorian era. The son of the miniaturist William Egley, he studied under his father. His early works were illustrations of literary subjects typical of the period, such as Prospero and Miranda from The Tempest. These were similar to the work of The Clique. William Powell Frith, one of The Clique, hired Egley to add backgrounds to his own work. Egley soon developed a style influenced by Frith, including domestic and childhood subjects. Most of his paintings were humorous or "feelgood" genre scenes of urban and rural life, depicting such subjects as harvest festivals and contemporary fashions. His best known painting, Omnibus Life in London (Tate Gallery) is a comic scene of people squashed together in the busy, cramped public transport of the era. Egley always showed great interest in specifics of costume, to which he paid detailed attention, but his paintings were often criticised for their hard, clumsy style. In the 1860s Egley adopted the fashion for romanticised 18th century subjects.






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